I want to thank everyone who commented on last week’s giveaway opportunity. I think it received the most comments I’ve ever seen on a single blog post over the last three years and it was all loving, supportive remarks.
And now to announce the winners!
The first name chosen by the Random number generator at random.org was Suzan Harden. The second name was Natalie Aguirre! Ladies, I will contact you privately to find out which books (The Dragon and the Pearl, Liar or The Silver Phoenix) you’d prefer. Thanks so much again to everyone interested in buying a book to support accurate depictions of race in literature.
May 02, 2011 |
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Thanks so much to everyone who entered to win a copy of The Lion of Cairo! I know I promised the drawing would be yesterday. I had intended to do it last night, but got so swamped it got away from me. My apologies!
So, without further ado, the winner is… Natalie Aguirre!
Natalie , please contact me privately and let me know your address so I can ship you a copy of this book.
Apr 27, 2011 |
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|Photo Credit: (c) Marcia DeFiore
Many thanks to Scott Oden for speaking with me today. If you read my review on Monday, you know Scott Oden is the author of “The Lion of Cairo.” He’s also written “Men of Bronze” and “Memnon,” both of which are historical. “Lion of Cairo” is an historical fantasy.
1. Your opening scene in “Lion of Cairo” is the fight where Assad wins a special weapon. I can’t talk much about Assad without discussing this knife, so I hope you forgive the spoiler to the readers. Where did you get the idea of a djinn-possessed knife? (If that is, in fact, what’s within the blade.)
Assad’s knife — and ‘knife’ is something of a misnomer: the salawar, or Khyber knife, is roughly the same length as the Roman gladius — was inspired by Michal Moorcock’s devilish sword, Stormbringer, and the One Ring from Tolkien. It’s not a djinn in the blade, precisely, but something a bit more sinister. I hope to delve deeper into the blade’s history in the sequel to The Lion of Cairo, called The Damascene Blade.
2. This is the first novel of yours I’ve read, but on your blog you cross back and forth between Orc-strewn fantasy and history. Is this your first foray into historical fantasy? Will there be other stories in this or other settings?
This is my first journey into fantasy, historical or otherwise. My first two books, Men of Bronze (2005) and Memnon (2006) were straight-up historical fiction, but I’ve always had a desire to write sword-and-sorcery in the vein of Robert E. Howard. That’s how Lion was brought into being: to answer the question of “how can I make Assassins cool?” The setting of The Lion of Cairo is only quasi-historical. It draws on three distinct time periods: Egypt of the Pharaohs, the early Fatimid Caliphate, and the Mameluke period. There are a handful of historical figures (Shirkuh, his nephew Yusuf ibn Ayyub, and King Amalric of Jerusalem), though I’ve distorted them somewhat by depicting them as seen through the lens of the 1930s pulps. Everything else is pure fantasy.
The Lion of Cairo is the first in a trilogy that will chronicle the fight between the indomitable Emir of the Knife, Assad, and his nemesis, the necromancer Ibn Sharr. And there’s going to be a novel about Orcs in the near future!
3. Assuming there will be other stories, will the reader ever see other fantasy elements creep in?
The sequels to The Lion of Cairo will have a great many fantasy elements: dark gods, ancient Egyptian magic, Medieval sorcery, djinn . . . everything you’d expect from a sword-and-sorcery tale infused with an Arabian Nights aesthetic. The Orc novel, which I’m plotting as we speak, is going to take a mythological look at everyone’s favorite foot soldiers of evil.
4. I’m always fascinated by other writers’ creative processes and you mention RPGs (Role Playing Games to the uninitiated reader) on your blog. Do you use RPG modules to help you in world-creation? If so, how does it help you, or do you do it for fun?
I rarely use RPG sessions for anything but a fun way to interact with friends and participate in a shared fantasy experience. I’m no great shakes as a world-builder, which is why I tend to pillage history for my plots, settings, etc. I discovered early on that a place-name like “Thebes” or “Alexandria” comes with a pre-existing sense of weight, of gravitas that’s hard to manufacture. Tolkien was able to perform the same feat with his secondary world creation through his implementation of exhaustive histories; REH did it by plundering historical sources.
One thing I’d love to do inside the framework of a RPG is to create a rigorously historical ancient Greek simulation — characters would portray Athenian citizens during that city’s Golden Age, navigate the morass of politics, back-stabbing, and double-crossing to make a name for themselves. I’m reticent to undertake the project, however, because it has such a narrow focus and no fantastical elements.
5. What sparks your creativity and keeps you going?
I find endless inspiration in the overlooked corners of history. I believe as Robert E. Howard believed: there’s enough blood and thunder on every page of history to fill a lifetime’s worth of novels. There is nothing quite so fulfilling to me as pouring over the works of ancient authors like Herodotus or Plutarch and finding a phrase or situation that piques my interest – that gets the creative juices flowing. Even my fantasy has its genesis in the pages of history.
As to what keeps me going . . . it is the sometimes Quixotic desire to see what’s around the next bend, over the next hill, or on the next page. I can’t imagine NOT writing . . .
Thanks so much to Mr. Oden for this look inside his head and the creation of “Lion of Cairo.” If you’re interested in a free copy of “Lion of Cairo,” please leave a comment here. I will have a drawing on Sunday evening and it will be open world-wide.
Feb 20, 2011 |
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For a chance to win a copy of Chris Bradford’s The Way of the Dragon, check out the interview and make sure you fill out the form before the 25th. The book sounds and looks great.
The William Bernhardt Writers Workshop and Seminar is accepting attendance forms. You can find more information here and please take note, if you send in your form and fee before April 1st, the Workshop fee is reduced by $50 and the Seminar fee goes down by $100. I know not everyone is in the Midwest, but if you are, this is a great opportunity to meet two different agents.
Feb 11, 2011 |
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Yup. I’ve decided I need to add something to my list so here goes:
Winners will also be able to choose from Malinda Lo’s “Asha,” courtesy of Tessa at AndAnything :
and – as much as I did enjoy it – I’m willing to give up my copy of “To Ride the God’s Own Stallion.”
Just keep on commenting, feel free to tweet, facebook or blog about it and if you do, let me know. As per my original One Hundred Followers Post, I’ll give out extra points for each post.